Product Categories Pickups
Pickups
Pickups for Acoustic and Electric Instruments
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$169.00
Includes GST
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The Silver Bullet is a very powerful condenser microphone with excellent sound and frequency range. Its outstanding performance, especially on wind instruments, makes this small mic an affordable tool for every musician.
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$395.00
Includes GST
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The Accordion Microphone System consists of three miniature gooseneck mics (one single and one twin) and a dual-channel preamp.
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$279.00
Includes GST
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The CXM5 Saxophone Microphone is a clip-on sax mic specially designed to deal with the unique challenges of amplifying the saxophone
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$125.00
Includes GST
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The Pure Preamp is our time-tested external preamp, featuring +/-20 db bass, mid, and treble controls plus an internal gain trimmer. This belt clip unit has been specifically designed for the frequencies of the acoustic guitar but it is also great for many other instruments
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$195.00
Includes GST
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The Golden Bullet is an extremely powerful universal condenser microphone with clear sound transmission and high gain-before-feedback
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$395.00
Includes GST
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Microvox accordion pickup system. Everything you need to amplify the sound of your accordion. Easy installation.
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$495.00
Includes GST
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Sennheiser external accordion microphone system. Employs three Sennheiser capsules. Right hand only.
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$495.00
Includes GST
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Internal accordion microphone system. Uses three capsules for the right hand and one for the left hand. Price includes installation.
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$179.00
Includes GST
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The Evolution® neck model will work in almost all solid-bodies and most semi-hollow bodies as well.
Obviously, the Evolution® was designed for Steve's Ibanez® Jems, but it can add a lot of punch and definition to Les Pauls® and similar set-neck guitars - even the lowest bass notes really jump out of the amp, and feedback occurs easily with a wide range of harmonic overtones.
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$149.00
Includes GST
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DiMarzio® has been working on serious vintage single-coil design with no hum for twelve years. Our goal has always been to capture the best qualities of pickups we heard from the 1950s and early 60s. We’ve played several pickups from the early 60s that had a unique tonality: they were steely, yet woody-sounding. Naturally, we wanted to nail this sound, and we wanted to do it with no hum and less magnet-pull. The Area 61™ does it. It’s good in all three positions. It’s the perfect bridge pickup with a pair of Area 58™ pickups if you want to go all the way from Nashville to Texas in one guitar.
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| 11 - 20 from 24 Results |
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